April 15, 2004

Madvillain - "Madvillainy" - Stones Throw

cover of Madvillainy by Madvillain This album is a little bit disappointing, to be honest. With MF Doom (aka Zev Love X, Viktor Vaughn, King Geedorah) and Madlib (aka Yesterday's New Quintet, Quasimodo, Lord Quas, Beat Conductor), one might expect some amazing shit to come off this album, but instead the whole thing sounds like they smoked a couple of big fat sacks of chronic while making this album. Most of the beats are on the extremely blunted end of Madlib's repertoire, while his other styles only shine through for a couple of seconds at a time in various spots. Doom is consistent on the mic, dropping some ill rhymes (he's the pioneer of supervillain rap!) but doesn't wow me. And unfortunately, he does none of the beats. It's a solid album, but most of the songs are short - as if they got bored and decided to move on to something else.
That said, there are at least a couple of outstanding songs on the album. On _Great Day Today_, Doom comes correct with some of the best lines on the album, with even a little tongue in cheek humor: bq. last wish - I wish I had two more wishes and I wish they'd fix the door to the Matrix, it's mad glitches spit so many verses sometimes my jaw twitches one thing this party could use is some more (pause) Booze There are also a couple of strong guest appearances by extended Lootpack fam - Wildchild on _Hardcore Hustle_ and Medaphoar on _Raid_ - and some fun samples that people may or may not recognize - Street Fighter II, cartoons, Steve Reich... Anyway, I think it's a good album. The hype is ridiculous, and it can't and doesn't live up to it. But if you go into it just looking for some good rhymes and beats, yeah, they're there.

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Comments:

  1. yours is the first even slightly negative review i've read.

  2. What can I say? I'm a hater.

    Seriously though, I think it's a solid album, but I don't understand why all the critics are fawning over it. It's not groundbreaking in any way - we've all heard Madlib's beats and Doom's rhymes already. They're not synergistic. It's not like "your chocolate's in my peanut butter" kind of good. It's more like "it's a beautiful day. I think I'll have a sandwich" kind of good. In this case, the whole is the sum of the parts.

  3. it's a grower. i didn't like it at first either, but there are some cuts which become brilliant after repeated listening. pitchfork gave it something ridiculous like a 9.4 -- that's retarded.

  4. Pitchfork is retarded. Anyway, I've been listening to this album for about a month now. It's grown on me, but I'm pretty sure this is about as good as I'm ever going to like it.

  5. I don't have this yet. The joints I've heard are really dope. Hmmm, buy this, or actually listen to all the weeks-old shit sitting on top of my stereo...what to do...

  6. i have made a vow never to read pitchfork again. pretentious f**ks.

  7. I have to agree with Dennis' comments. I'm a fan of both Doom and Madlib and so Madvillain would seem like a dream come true.

    However, after about a half a dozen listens, I can't really get a grasp of the album. True, the whole sound seems to be truly blunted and "out of focus". I'm not a listener who usually goes for catchy hooks but come on, throw me a bone - at least something! :)

    Maybe it'll grow on me after a while... I do hope so and plan to keep on listening.

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